Quincy Jones keynote at SXSW 09

He probably doesn’t know it, because there were always 200-2000 other people there as well , but WE knew it and it was AWESOME. It was like spending the day in the presence of giants and their ghosts and their shadows as Mr. Jones walked us through the amazing history of music in his lifetime, so much of which bears his unmistakeably great music mark.

After the extended keynote, Bob and I went to a panel celebrating the 50th anniversary of Miles Davis’ Kind of Blue album. And guess who showed up and was asked to join the panel… Mr. Quincy Jones.  And so continued our wonderful day with Mr. Jones. If time allows, I’ll post more at a later time detailing more of the amazing conversations with Quincy Jones and the Kind of Blue panel, but for now…

As wonderful and amazing as Mr. Jones conversations were, what he brought to us musically was even more amazing and fantastic.

Get ready for it, because Quincy Jones has a new protégé, Alfredo Rodriguez – a pianist so intense, so beautiful and so emotive you never, ever want the music to stop. Just two months ago Rodriguez, a tender 23 years old, defected from Cuba where he was not allowed to tour internationally.

Alfredo Rodriguez at the Elephant Room in Austin

Rodriguez played after Mr. Jones’ keynote address Thursday afternoon, and again later that night at a SXSW showcase in the Elephant Room, displaying his amazing improvisational skills and beautiful artistic soul. Part of Rodriguez’ genius is his ability to be so playful and simple interspersed with moments of exquisite emotional intensity.  He takes a melody and weaves it in and out of harmony and discord while maintaining the pure integrity of the melody and the feel of the song.

Part and parcel with the music are the expressive faces and body language that Rodriguez deploys to communicate even further the emotion of the music without need for spoken word.  Much of this you can hear in the music and see in the videos, but to really feel the full impact of Rodriguez’ music you must see him perform live.  If you ever get the chance to see him live, do not miss it! It’s an experience of a lifetime.  If you don’t believe me, just ask Quincy Jones.

Alfredo Rodriguez and "patron" Quincy Jones

After Rodriguez’ performance at the Elephant Room, Mr. Jones gave us a a few more words from his heart, saying about Rodriguez “this young man makes me even happier than I already am to be alive” and finally adding “This is what music is about.”

Like Mr. Jones, Rodriguez projects a sense of humility and gratitude for his talent, which makes him feel all the more genuine and authentic – truly deserving of his wonderful musical gift.

I’ll post links to purchase Rodriguez’ music as it becomes available.  Meanwhile, here are a few links where you might find new information on this newly emergent artist:

• Alfredo Rodriguez’ official (I think) web site:   
  www.alfredomusic.com
• Alfredo Rodriguez’ facebook page:
  www.facebook.com/pages/Alfredo-Rodriguez/71659295609
• Alfredo Rodriguez on MySpace:
  www.myspace.com/alfredorodriguezmusic
• Follow Alfredo Rodriguez on Twitter:
  twitter.com/alfredomusic
• Alfredo Rodriguez on YouTube (QuincyJonesProd channel) :
  http://www.youtube.com/user/QuincyJonesProds

While Alfredo Rodriguez obviously will soon be very well known (that is to say, he’s not exactly “under the radar”), I was so touched by his music and his talent that I wanted to share him with you right away, now, so you don’t miss any opportunity to hear him play.   I’ve included some of the best videos I found on YouTube below.  Enjoy! But don’t miss a chance to see him live!

My Favorite:

But this one was awesome too:

Last, but not least, here is a video of Alfredo Rodriguez playing the Elephant Room at SXSW – Bob and I were sitting about 7 feet behind Mr. Jones, next to the loud but well meaning drunk you’ll hear hollering in the video. I’m afraid the video doesn’t really do it justice.  This encore had me in tears.

See the Quincy Jones Production Channel (QuincyJonesProd) on YouTube.com for more.

Other photos:

Quincy Jones Keynote at SXSW 09

A standing ovation from The Elephant Room

Alfredo Rodriguez at the Elephant Room

Someday this photo will be the coolest thing on the block! Oh, wait! Already IS!

THEM TERRIBLES lead guitarist Marcus Vaughn Affeldt

CFO Bob Carnahan and I arrived here in Austin last Friday to catch SXSW interactive, so even though yesterday was “Day one” of SXSW music, we’ve been in Austin for five days already!

The best band we’ve stumbled into so far is “MTV Breakout” (I didn’t know MTV still played music) band “THEM TERRIBLES” who were playing at Speakeasy Monday night. Check out photos of these tasty looking lads (did I write that out loud?) in our blog library. We found these guys because we begged a tour of their Gibson Tour bus Anny wanted to see the guitars and the bus driver urged us to see them. Good choice!

Marcus Vaughn Affeldt of THEM TERRIBLES

Probably their best known song, “Dreamers” [find it on ] , is a lovely ballad with lead singer Matt Green behind the keyboard. With an energetic and exciting stage show, great crowd building transitions, lyrical melodies and smoky good looks, this band gave us a great time.  I’d love to see them again.

These young men from Santa Barbara are made up of Matt Green on vocals, Marcus Vaughn Affeldt on guitar, Jimmy Marvitch on bass and Joey Benenati on drums. You can also find them on facebook or buy their songs on iTunes.

SXSW ‘09 Panel Explains – How NPR became the place to discover new music

As a example 0f the opposite tactic, I covered a panel on “How NPR became the place to discover new music” on Tuesday as part of SXSW ‘09 “Platinum Track” for our local Fort Collins community radio station, krfc.

With large corporations soaking up the last of the smaller, independent radio stations (or putting them out of business) the panel tells us that many seekers of new and inspired music are turning more and more to public radio as curators of great new original music.

Bob Boilen, host of All Songs Considered, and Anya Grundmann, NPR Music Executive Producer, shared their excitement about recent and upcoming music projects. One such project, which premiered with the launch of NPR’s music site (http://npr.org/music) was “Project Song” where artists were videoed in their efforts to write, produce and record a song in just a couple of days. Challenges such as this give artists a unique situation where they can exercise their creativity in new ways, said Boilen.

The Decemberists

Certainly NPR’s music site (http://npr.org/music), which features over 45,000 artists pages, is a vast list of music to be discovered. Panel members say that 50-65% of the music they discover comes from public submissions (such as agents, publicists, and artists) and the remainder comes from friends recommendations.  Having reviewed some of  NPR music’s band recommendations, I would say that if you’re into the quirky “All Things Considered” type of folksy, music, you’ll love the NPR recommendations.  If you love rock and roll, metal, pop, jazz or most other types of music, you may want to look further.

When asked whether or not NPR should consider narrowing their focus, rather than trying to be of general appeal, Boilen said that inclusive, rather than exclusive was more what NPR was about. Grundmann added, “Narrow is not necessarily where we want to be.” She also indicated that NPR was planning to beef up their jazz content to a more meaningful level.  Looking at the bands that the panel and NPR in general recommended (Weird Weeds, The Decemberists, The Heartless Bastards), I would suggest that NPR does have a narrow focus quirky, folky bands with unusual instrumentation (pots and pans for percussion, guitars played cross legged on the floor with a bow and so on).

The audience requested (and got) the following recommendations for great music to check out at SXSW ‘09: Grizzly Bear, Sgt. Dunbar and the Hobo Banned, The Blind Pilots, The Weird Weeds, and The Decemberists. You can see more of their SXSW ‘09 recommendations on their “All Songs Considered” page.

The Avett Brothers

Other panelist joining in the conversation were Carrie Brownstein, NPR’s Monitor Mix blogger and former Sleater-Kinney bandmate and Jody Evan, Program Director at KUT radio, and NPR affiliate in Austin. The panel was moderated by Fast Company magazine Senior Writer Anya Kamenetz.

I did enjoy the band, The Avett Brothers, at the NPR sponsored concert at Stubbs. This band not
only had a much more exciting and engaging stage show, but also included a cello, which is the lead instrument in one of our favorite up and coming new bands, Post Paradise out of Fort Collins, Colorado. We’ll be writing up a review of Post Paradise very soon (promise).

Frontman Cormac Neeson of The Answer

Shortly after SXSW 2008, Anny Randel spoke to Cormac Neeson, the front man of The Answer, over the phone just outside their practice room back in Ireland. Here are a few excerpts from the interview! (I tried to leave in the traces of his really beautiful Irish accent, but to hear it for real you’ll have to catch them on tour.)

Savvant Music – Are you guys still in the US?

Cormac Neeson – No, we’re not. We’re actually back in rainy Ireland, cold rainy Ireland. We were back halfway through last week. We were in Austin then we went on to Los Angeles for a few gigs and also to meet some producers with our next album in mind. So, ah, yeah, we’ve had a bit of a comedown I’d say. Going from SXSW which was absolutely amazing and then that was our first time in LA, and that was, what a great time, so now were back to bread and water at home here trying to get some more new material right there. We’re going to do the next album hopefully at the end of April, start of May time so we’re just getting all the stuff together.

How did it go in LA, your shows and meetings with potential producers for the album?

It was amazin’, our heads were spinning, but we met like nine or ten producers ….so, it was a lot of information and it kinda took us a few days to get home and get our thoughts together and to really start to compute everything that went on, you know? But the gigs were great, and we played The Viper Room, and we played a venue called Spaceland. And we got a surprisingly good crowd at both the gigs, actually, we weren’t really expectin’ anybody to turn up except for the people that we had invited, but a few people had heard of us on the Internet and … that was a welcome surprise you know. We just enjoy the whole American vibe and have a good time when we’re there.

Are The Answer planning any additional U. S. touring?

The priority at the moment is to get the second album recorded, and we’re gonna be going out most likely to L.A. to do that, so we’re gonna be there most of May, June, July time, and then as soon as the album’s done and dusted I think we’re gonna have a September release date, touch wood, so we’ll do a few festivals in the summer time and then get straight into the touring… I would imagine that America will be pretty far up there priority wise, so … everybody should keep their ear to the ground.

What’s your dream or vision for The Answer? Where do you see yourselves taking this group?

Right now I would say what’s going through our head every moment of every day is this next album. You know we want this to be an important collection of music. Our first album wasn’t even released in the States. I think we’ve sold a hundred thousand plus records in the UK, Europe and Japan, so we really feel that we want to make the next step on this record. First of all, get a release in the States and move it from a hundred thousand to a couple of million all bein’ well. [Laughs]

We enjoy the life that we’ve got. We’re making music and we’re living off our music so want that to continue and to continue for quite some time, so it’s important that we deliver a really good second record, and I think we’ve definitely got the songs to do that.

Who writes your music?

We all do. All do together, and as opposed to, you know Lennon and McCartney partnerships where usually one guy wrote it and both of them put their name to it, we actually all do our fair share of the writing. And generally what happens is we’ll go into the practice room, all start to jam through different ideas that the boys have had, maybe one or two or whatever, and then we’ll get them all out into the open and we’ll all carve them into songs, make sure they’re nice an’ interestin’ and make sure that there are a couple of hooks in there and we’ll do it that way.

Alternatively, sometimes Paul will come out to the practice room with a verse, a chorus and a bridge – the bare bones of a song and he’ll give it to me first, and I’ll write some lyrics and stick a melody over it, then Mickey and James will jump into the equation and everybody will throw in their fifty cents worth, and by the end of it we normally have a pretty decent song … So, there’s usually two ways we do it, but both of which are quite democratic, I think, compared to the way a lot of other bands that we know do things.

What kind of places do you guys get your inspiration from? I thought it was kind of interesting that you have this really excellent song “Preachin’” that’s about a Baptist minister, right, and here you are these nice boys from Northern Ireland. What makes you write a song about a Baptist minister?

Well, you know, I mean, Northern Ireland has had it’s share of religious contention. … I don’t generally like to play that up too much. It is what it is, in our opinion. We’ve all lived through it, but it can’t help influence, I suppose, some of the things I’m gonna write about. But from a lyrical perspective, I always prefer people to ask… I mean, you don’t ask about individual songs because I’m really open minded, but it comes to inspiration, I could write lyrics from a story I’ve read in the paper, I could write lyrics about a person I’ve met, about an event I’ve witnessed on the news or first hand. Pretty much anything that turns my head I’ll kinda go and write a song about it.

So, what did get you to write this song about a Baptist minister?

It’s kind of take it’s leaves from a lot of the things that the old blues artists would sing about back in the day of delta blues music, you know Robert Johnson, Son House and all people like that. But I must say, I just kind of saw some comparisons between what they were singing about – obviously completely different context to our own – but I thought to myself, I suppose if we start singing about a Baptist church over in Ireland it could mean something completely different to what the old blues men were singing about, but I thought it was a really nice kind of duality there you know… And Paul came in with a nice specialty guitar one day, and we all took it from there.

We caught The Answer’s gig in the Kerrang! Showcase at Latitude 30 in Austin, Texas during SXSW 2008, where fans were jumping up on stage with the band. We thought you handled the crowd amazingly well. How did you feel about it?

It was a good crowd. As you know the SXSW gigs can sometimes be kind of overrun by industry, and they don’t generally create that nice an atmosphere for a rock and roll band, but that particular gig did catch the essence of a good rock and roll show. It was a fun gig.

Which of The Answer’s songs do you like the best?

I’m allowed to start plugging the new stuff, am I? We wrote a song that we actually played at the Latitude 30 … called “Comfort Zone.”

That’s a song that … starts off a bit more laid back than some of our songs, but builds all the way through it. It’s the first song that we’ve written in DADGAD, you know, which also I find very interesting because it’s actually a turning that a lot of Irish traditional guitar players, which I’m also interested in, are playing. So when ever Paul and I [started playing] around this kind of DADGAD idea, I think everybody just kind of jumped on it immediately and got really excited about it all, and it was one of these songs that came together, you know. We played through it a couple of times late in the day, and then I drove back to Belfast and actually stopped by the side of the road because I was, you know, humming it to myself the whole way home, and I got the bare bones of a lyric in my head. So I pulled over by the side of the road and scribbled down the lyrics! [We looked at it the next day to see how the lyrics fit] the music and in this case it really slotted down nicely and everyone got very excited. It was one of those nice moments in the creative process. You know, it wasn’t too much of a struggle, it all came together and at the end of the day we had this beautiful song … to use for the next record.

And I suppose off the first album, I really like “Come Follow Me” and “Under The Sky.” “Under The Sky” actually would probably be my favorite off the first album because it was one we actually completed in the studio on the day. You know, we weren’t going in with a complete song, and again, it was one of those moments whenever it just kind of came together. I think the type of music we write and play kind of lends itself to that type of organic, natural feel where we’re not kind of breaking each others back trying to make things work. You can play around ideas all day, all week and at the end of it you have nothing to show for it– it should come easier than that, and “Under The Sky” was one of those that did.

You’ve played with some amazing groups lately — The Rolling Stones, The Who, Paul Rodgers …

Yeah, yeah! Deep Purple as well. We’ve been lucky [in our support roles]…The biggest one of all was obviously The Stones. We played a gig with them at Belgrade in front of 80,000 people… in Belgrade, Serbia … Since the war, they’re still quite new to these big rock gigs – they had a lot of fun and everybody’s so crazy about the music and the fact that The Stones bothered to go there. It was a really nice atmosphere, and by far and away the largest crowd we’ve ever played in front of.

From a showman’s point of view, Mick Jagger’s definitely a … legend and that, you know. Paul Rodgers … he actually got up and played a couple of songs with us… and that was real highlight because he would be my favorite singer in the world… I would be heavily influenced by his type of singing. But from a front man just controlling a large group of people, there’s nobody better at it, I’m convinced, than Mick Jagger you know. I thought The Stones would be great and that I’d really enjoy it, but I was absolutely blown away by it! And most of that is Mick Jagger’s charisma – it’s just a sight to behold.

How long have The Answer been together as a group?

Seven years

And, if you don’t mind my asking, how old are the members of the band?

We’re all in our mid-twenties.

Well, seven years probably seems like a really long time to you guys, but from a rock and roll perspective these days, you’re still a pretty new group and yet, you guys have a really, really great presence on stage.

Thanks, thanks, I mean, It’s something that wasn’t always there, … I think we’ve spent more time together than [with] family, friends and strangers put together for the last seven years, so we got to the point where we know what each other’s going to do up there, and it’s nice because it means the boys can go off on a jam at some point and it doesn’t all fall apart like it maybe would have done in the early days, you know. … We’re all very comfortable with what we’re playing on stage and we just get up there and make sure that we enjoy it, relax and have a good time.

How long have you been with your label, Albert Productions, and how has the label impacted you as a group?

A good question… I think coming up to two and a half years, I’m gonna have to guess it.

[The relationship is] working pretty good, I have to say. They’re one of those labels that you know in this day and age that they’re a rarity in that they believe in giving bands time to develop and mature and reach their peak rather than demanding it from the very offset…

You know, we’re watching so many major labels fall into a whole world of trouble and going bust, and bands getting dropped or getting tied to their contracts and really having a horrible time of it. But we’re quietly working away in the background. We believe we’re quite secure in our position within the label, and we think we’re a large part of their plans which is all so a great feeling. Ourselves and the label are all kinda getting our heads together and really looking forward to making this next album, and hopefully as I say turning a few heads, and hopefully the label and ourselves will do well from it, you know.

Were you all in any bands prior to The Answer?

We were all in bands before this one, and where we live we’ve all been brought up … a couple of us were taken out of Belfast at an early age, and myself and James plus Paul … have lived in the countryside our whole lives. Where we were brought up there’s not much else to do but start a band, or develop a drinkin’ habit!

We’ve all been in bands from age 14 upwards, but none of the bands really we took even half as seriously, obviously, as we take The Answer. It wasn’t until the four of us stepped into a room together we realized exactly the kind of music we wanted to play, and how seriously we wanted to take it, and how much of our lives we wanted to dedicate to that thing, ya know? And, so it was great, I wouldn’t change it for the world … but I’m glad we all met each other.

How did you meet?

I was actually in New York, whenever I’d left school and went to New York to work, you know, … I got a letter from Paul and Mickey sayin’.. they’d heard of me from singin’ in another band and that they were starting a rock and roll group and that if I was coming back to Ireland any time soon to look them up and come round and try out for the band. As it turns out, I was goin’ back to go to the university in Belfast like a week later, and whenever I did this on the first word of my first lecture I ended up sitting beside Paul Mahon, who was doing the same thing in the same degree as me, which was completely bizarre! And on a strange, strange twist of fate, and we got talkin’ obviously, and we realized who we were and “Ah shit! You sent me a letter in America and, all right, you’re Paul!” And we arranged a practice the following Saturday, the boys picked me up… We played some… covers and … everything just felt right! So, we got James on board shortly after that on drums, and that was that, you know?

——————————————–

As we signed off the phone, I’m thinking that Neeson’s final words to me were meant for all of The Answer fans. He said, “Thanks for your support, darlin’! We appreciate it.”

You can buy all of their current albums on iTunes, but as yet the physical albums are only available in the United States as imports (you can order them from TheSavvantStore.com, but as imports, they are pricey). The Answer’s new album is expected out this fall, and they are working on obtaining US distribution.

Download The Answer on iTunes

“Never Too Late-EP” is available on iTunes in the U.S.

The Answer: Paul Mahon, Cormac Neeson, James Heatley, Michael Waters

Cormac Neeson the front man and lead vocals for The Answer, gives incredibly soulful, bluesy life to this band’s repertoire of really awesome rock songs. He is sexy, mesmerizing and he sings with an intensity and grace that just leaves the crowd yearning for more, song after song. Neeson engages the crowd in a personal and entrancing fashion, making each fan feel like the gig is only for him or her.

But this band is a lot more than a great front man!

Michael Waters lays down a rock solid bass line that keeps everyone rocking and rolling and dancing to the beat. He’s great on stage, enchanting the crowd with an easy going smile and the confident stance of a real pro.

Guitarist Paul Mahon

Paul Mahon on guitar puts together some scorching licks and some smooth blues riffs that largely coalesces the amazing sound of this group. Mahon isn’t (yet) a guitar god, but he integrates the music and fits in as part of the band. This is so critical to young bands who often play as a group of individuals, rather than as a collective artist. The Answer feels like a band. They’re not about an individual or a solo, but, I think, about the music. Which is incredible, by the way!James Heatley and Michael Waters

On drums, James Heatley rocks the place with a rock beat and a groove that a lot of big name bands should envy! It gets back to the fact that this group plays together as a fusion of artists, rather than as four individuals. The whole group is tight and hot and rocks the place. Heatley plays a driving beat, energetic and electric.

But it’s not just about the way these guys play live, even though their live show is phenomenal. These guys write some great songs. One of their newer songs, “Comfort Zone,” is all the things we look for in songwriting – a moving melody, lyrics that turn the soul inward, a great hook, and a groove that has everybody dancing. The melodic guitar hook in this song catches you right away, but then the lyrics start to sink in, and the refrain of “Discomfort I wait for you” and “I don’t need a lifetime when a moment will do” penetrate your senses and your actually start to not just hear and see the song, but to feel the music in your soul. That’s good rock and roll, babe. That’s what it’s all about.

Neeson with the crowd in well in hand

The song “Preacher” had me wondering how a nice boy from Northern Ireland (Neeson) could channel a southern Baptist preacher (while still overflowing with sex appeal). I also loved the beautifully melodic high sustained message “I have met my maker” at the end of “Never to Late.” I had chills in the midst of the hot, impassioned and inspired crowd.

James Heatley and Michael Waters

Speaking of the crowd, this audience was totally engaged, all they way to the back corners of the room. Everybody in the room was moving and rocking and totally mesmerized by this band. They had the crowd nailed – musically, spiritually, visually and emotionally. Guys were jumping up on stage, trying to get closer, to be even more a part of this incredible experience.

The Answer is off to LA tomorrow, but I hope to be able to chat with them later today and bring more details to our Savvant Music pages about this stunningly passionate, enthralling and talented group. We’ll definitely be adding them to our recommendations page, and following their progress. If you get a chance to see these guys, go! Don’t miss The Answer!!!!

The Answer are

• Cormac Neeson – Vocals
• Paul Mahon – Guitar
• Michael Waters – Bass
• James Heatley – Drums

Find them at:

• www.theanswer.ie
• http://www.myspace.com/theanswerrock
• or on Facebook/iLike, iLike Page, or Facebook Page .

Reed’s music carries such an emotional impact that you cannot help but go along for the ride as he lulls you into introspection with intensely quiet emotional vocals then drives you to awareness breaking into compelling rock rhythms and sound that bring you to a peak of empathy with his message. Reeds guitar solo yearns for your understanding of the bitterness and hopelessness reflected in the lyrics of the song, but also counters melodically with shreds of desperate hope and understanding gently woven into the music.

“It’s emotional music. One of the things I love about rock.” said Reed, “It’s so emotional.”

Throughout the interview, Reed gave somewhat caustic mention of the mainstream industry’s ongoing criticism of his music, reminding us that reviews of the album “Berlin” proclaimed it as “the worst album ever” and the “most depressing” music ever.

Reed said, “I understand people don’t like everything you do, but to not like it because of the subject matter, that’s pretty narrow minded.”

Reed went from sardonic to hilarious as he went off to ask if people in Texas didn’t know how to turn off their cell phones and then promptly segued into cow-tipping. Now, that pretty much disconcerted Willner, but he rolled with the punches!

Reed also fielded some questions pre-submitted by the audience. When asked which other album he’s like to re-create today, he mentioned “Magic and Loss,” saying that he valued that contribution as modern rock rarely has dealt with the issue of the loss of a friend. Willner added the insight, “Depressing music can be very healing.” That might sound trite, but I think it’s a wonderful point, and emphasizes again why Reed’s music has been so influential and world changing. In a later panel this same day, the amazing songwriter Shawn Phillips commented that when you write a song about a relationship with another person, you can change a few people, but when you write a song about a relationship with your inner-self, you can change the world. I think Reed’s music is a stunning example of the truth of this statement. (Check back later today for more on Shawn Phillips, both in the panel and his music showcase last night.)

When asked if the way he writes songs has changed over the years, Reed articulately responded, “No.” Fortunately, he went on to elaborate. Reed actually studied acting and film in college, but felt that he wasn’t that good. He started reading to music in his early days, and that became a song. (That explains some things to me…) Reed spoke about the early days of punk, and how he saw it form from people who couldn’t play R&B because they hadn’t heard R&B growing up. So when he played in an early punk band, the group focused on that style, and actually fined each other for playing a blues riff!

Reed talked about how he loves the aggressiveness and steel of punk. He said, “All that young guy stuff — That’s punk. And it’ll exist forever. Where else are they gonna put it? It’s there, or jail.”

Returning the issue of songwriting, Reed said, “I try not to think. Thinking won’t take me where I want to go. I rely on instinct.” And an awesome instinct it is! Despite his dry, sardonic demeanor, Lou Reed is incredibly articulate and well spoken. And like most songwriters, he is incredibly intelligent. So, if the only thing you got from the mainstream media’s coverage of his SXSW interview, then you should know that there’s a more to Lou Reed than his very quotable pith “I have a BA in dope and a PhD. in soul,” the latter seeming to be the main message in many of the headlines.

Another issue that Reed was very passionate about was that of sound, and the lack thereof in the mp3 format. Reed says that if you like good sound, you have to have a good recording unit, good speakers, a good mic, a good amp and so on. If the guy making the record cares about good sound the cost goes up. If you don’t care about sound, then you have mp3. Reed summed it all up with this pithy comment, “It’s like making it easier to make things worse.”Reed did later return to the issue of technology in some more positive aspects, however, saying, “The level of intelligence and integrity mixed in with the computer is opening up whole new avenues of music.”

I walked out of this interview with a newly enhanced appreciation for the intelligence, integrity, emotion and passion of Lou Reed. He is the kind of artist that we at Savvant Music are looking to find about to make the next earth shattering changes in the world of music, and this interview was an inspiring reminder of the significance and righteousness of this cause. Thanks Lou!