Black Cherry

The SXSW 2011 showcase for London band Black Cherry at the Prague Night Club, and this bandrocked this basement bar.  Lead singer Megane Quashie put on a fantastic show, both vocally and as pure entertainment.  The band was tight and clean with a great pop sound that kept you wanting to move to the groove.

From there we went to The Red Eyed Fly to see Pulled Apart by Horses, and I honestly don’t have any idea how to describe this amazing, wild, hard rocking band… Guitarist James Browns looks like a cross between Tom Hanks and John Mayer, but he rocks the guitar and stage more like Jimi Hendrix, climbing the walls and sliding across a bar full of drinks.

Thomas Hudsons of Pulled Apart by Horses

Vocalist/guitarist Thomas Hudsons is a total wild man who worked himself into such a frenzy that he puked mid concert and then just kept right on performing.  This was an amazing show, but be warned, these lads rock hard and their show isn’t for the delicate palate.  It was pretty freaking awesome though.

I’ll upload more great photos tomorrow, but meanwhile, I have to crash!

Bright Light Bright Light

The first band I caught today was Bright Light Bright Light, fronted by songwriter Rod Thomas. With awesome vocals, a terrific stage show and great songs, this band really delivered.

The next Welch band showcased by the British Music Embassy was The Last Republic featuring Aron Harris -  Drums and Percussion,
David Llewellyn – Keyboards/ Synths/ Fx,
Dafydd Anthony  -  Lead  Guitar/FX,
Jonnie Owen -  Lead Vox /Rhythym  Guitar, and
Joey  Daniels – Bass Guitar  / Bass Synth.

The Last Republic

Lead vocalist Jonnie Owen provided amazing soaring vocals that pierce the soul.  This is a voice I could listen to for hours.  Bassist Joey Daniels puts on an awesome show, rocking and dancing all over the stage like a madman. David Llewellyn played some gorgeous melodic riffs on the keyboard, adding real depth and emotion to The Last Republic’s performance.

I arrived in Austin last Friday, and have been checking out some parties and music scenes (including a show by Tori Sparks), so I’ll just share a few photos with you from my first few days!

Quincy Jones keynote at SXSW 09

He probably doesn’t know it, because there were always 200-2000 other people there as well , but WE knew it and it was AWESOME. It was like spending the day in the presence of giants and their ghosts and their shadows as Mr. Jones walked us through the amazing history of music in his lifetime, so much of which bears his unmistakeably great music mark.

After the extended keynote, Bob and I went to a panel celebrating the 50th anniversary of Miles Davis’ Kind of Blue album. And guess who showed up and was asked to join the panel… Mr. Quincy Jones.  And so continued our wonderful day with Mr. Jones. If time allows, I’ll post more at a later time detailing more of the amazing conversations with Quincy Jones and the Kind of Blue panel, but for now…

As wonderful and amazing as Mr. Jones conversations were, what he brought to us musically was even more amazing and fantastic.

Get ready for it, because Quincy Jones has a new protégé, Alfredo Rodriguez – a pianist so intense, so beautiful and so emotive you never, ever want the music to stop. Just two months ago Rodriguez, a tender 23 years old, defected from Cuba where he was not allowed to tour internationally.

Alfredo Rodriguez at the Elephant Room in Austin

Rodriguez played after Mr. Jones’ keynote address Thursday afternoon, and again later that night at a SXSW showcase in the Elephant Room, displaying his amazing improvisational skills and beautiful artistic soul. Part of Rodriguez’ genius is his ability to be so playful and simple interspersed with moments of exquisite emotional intensity.  He takes a melody and weaves it in and out of harmony and discord while maintaining the pure integrity of the melody and the feel of the song.

Part and parcel with the music are the expressive faces and body language that Rodriguez deploys to communicate even further the emotion of the music without need for spoken word.  Much of this you can hear in the music and see in the videos, but to really feel the full impact of Rodriguez’ music you must see him perform live.  If you ever get the chance to see him live, do not miss it! It’s an experience of a lifetime.  If you don’t believe me, just ask Quincy Jones.

Alfredo Rodriguez and "patron" Quincy Jones

After Rodriguez’ performance at the Elephant Room, Mr. Jones gave us a a few more words from his heart, saying about Rodriguez “this young man makes me even happier than I already am to be alive” and finally adding “This is what music is about.”

Like Mr. Jones, Rodriguez projects a sense of humility and gratitude for his talent, which makes him feel all the more genuine and authentic – truly deserving of his wonderful musical gift.

I’ll post links to purchase Rodriguez’ music as it becomes available.  Meanwhile, here are a few links where you might find new information on this newly emergent artist:

• Alfredo Rodriguez’ official (I think) web site:   
  www.alfredomusic.com
• Alfredo Rodriguez’ facebook page:
  www.facebook.com/pages/Alfredo-Rodriguez/71659295609
• Alfredo Rodriguez on MySpace:
  www.myspace.com/alfredorodriguezmusic
• Follow Alfredo Rodriguez on Twitter:
  twitter.com/alfredomusic
• Alfredo Rodriguez on YouTube (QuincyJonesProd channel) :
  http://www.youtube.com/user/QuincyJonesProds

While Alfredo Rodriguez obviously will soon be very well known (that is to say, he’s not exactly “under the radar”), I was so touched by his music and his talent that I wanted to share him with you right away, now, so you don’t miss any opportunity to hear him play.   I’ve included some of the best videos I found on YouTube below.  Enjoy! But don’t miss a chance to see him live!

My Favorite:

But this one was awesome too:

Last, but not least, here is a video of Alfredo Rodriguez playing the Elephant Room at SXSW – Bob and I were sitting about 7 feet behind Mr. Jones, next to the loud but well meaning drunk you’ll hear hollering in the video. I’m afraid the video doesn’t really do it justice.  This encore had me in tears.

See the Quincy Jones Production Channel (QuincyJonesProd) on YouTube.com for more.

Other photos:

Quincy Jones Keynote at SXSW 09

A standing ovation from The Elephant Room

Alfredo Rodriguez at the Elephant Room

Someday this photo will be the coolest thing on the block! Oh, wait! Already IS!

THEM TERRIBLES lead guitarist Marcus Vaughn Affeldt

CFO Bob Carnahan and I arrived here in Austin last Friday to catch SXSW interactive, so even though yesterday was “Day one” of SXSW music, we’ve been in Austin for five days already!

The best band we’ve stumbled into so far is “MTV Breakout” (I didn’t know MTV still played music) band “THEM TERRIBLES” who were playing at Speakeasy Monday night. Check out photos of these tasty looking lads (did I write that out loud?) in our blog library. We found these guys because we begged a tour of their Gibson Tour bus Anny wanted to see the guitars and the bus driver urged us to see them. Good choice!

Marcus Vaughn Affeldt of THEM TERRIBLES

Probably their best known song, “Dreamers” [find it on ] , is a lovely ballad with lead singer Matt Green behind the keyboard. With an energetic and exciting stage show, great crowd building transitions, lyrical melodies and smoky good looks, this band gave us a great time.  I’d love to see them again.

These young men from Santa Barbara are made up of Matt Green on vocals, Marcus Vaughn Affeldt on guitar, Jimmy Marvitch on bass and Joey Benenati on drums. You can also find them on facebook or buy their songs on iTunes.

SXSW ’09 Panel Explains – How NPR became the place to discover new music

As a example 0f the opposite tactic, I covered a panel on “How NPR became the place to discover new music” on Tuesday as part of SXSW ’09 “Platinum Track” for our local Fort Collins community radio station, krfc.

With large corporations soaking up the last of the smaller, independent radio stations (or putting them out of business) the panel tells us that many seekers of new and inspired music are turning more and more to public radio as curators of great new original music.

Bob Boilen, host of All Songs Considered, and Anya Grundmann, NPR Music Executive Producer, shared their excitement about recent and upcoming music projects. One such project, which premiered with the launch of NPR’s music site (http://npr.org/music) was “Project Song” where artists were videoed in their efforts to write, produce and record a song in just a couple of days. Challenges such as this give artists a unique situation where they can exercise their creativity in new ways, said Boilen.

The Decemberists

Certainly NPR’s music site (http://npr.org/music), which features over 45,000 artists pages, is a vast list of music to be discovered. Panel members say that 50-65% of the music they discover comes from public submissions (such as agents, publicists, and artists) and the remainder comes from friends recommendations.  Having reviewed some of  NPR music’s band recommendations, I would say that if you’re into the quirky “All Things Considered” type of folksy, music, you’ll love the NPR recommendations.  If you love rock and roll, metal, pop, jazz or most other types of music, you may want to look further.

When asked whether or not NPR should consider narrowing their focus, rather than trying to be of general appeal, Boilen said that inclusive, rather than exclusive was more what NPR was about. Grundmann added, “Narrow is not necessarily where we want to be.” She also indicated that NPR was planning to beef up their jazz content to a more meaningful level.  Looking at the bands that the panel and NPR in general recommended (Weird Weeds, The Decemberists, The Heartless Bastards), I would suggest that NPR does have a narrow focus quirky, folky bands with unusual instrumentation (pots and pans for percussion, guitars played cross legged on the floor with a bow and so on).

The audience requested (and got) the following recommendations for great music to check out at SXSW ’09: Grizzly Bear, Sgt. Dunbar and the Hobo Banned, The Blind Pilots, The Weird Weeds, and The Decemberists. You can see more of their SXSW ’09 recommendations on their “All Songs Considered” page.

The Avett Brothers

Other panelist joining in the conversation were Carrie Brownstein, NPR’s Monitor Mix blogger and former Sleater-Kinney bandmate and Jody Evan, Program Director at KUT radio, and NPR affiliate in Austin. The panel was moderated by Fast Company magazine Senior Writer Anya Kamenetz.

I did enjoy the band, The Avett Brothers, at the NPR sponsored concert at Stubbs. This band not
only had a much more exciting and engaging stage show, but also included a cello, which is the lead instrument in one of our favorite up and coming new bands, Post Paradise out of Fort Collins, Colorado. We’ll be writing up a review of Post Paradise very soon (promise).